Plank Road Folk Music Society

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Spring-April 2023| www.plankroad.org

In This Issue
  • Tuesday nights with Lilli Kuzma . . . 22 years of "Folk Festival."


  • Postcard from KC . . . Folk Alliance report from Ashley & Simpson.


  • Acoustic covers . . . Making someone else's song your own.


  • Remembering . . . David Crosby, Jeff Beck, Lisa Marie Presley, Burt Bacharach, and more.



  • Andy's Music Trivia Quiz . . . and more!
Plank Road Events

Please join us for our in-person get togethers — co-sponsored with Two Way Street Coffee House.


Sing-Around

1st & 3rd Sat. | 2-4 pm

Vocal instrumental jam and sing-along with songbooks and leader.


Country and Western Sing-Around

4th Sat. | 2-4 pm

Sing along with your favorite C&W songs. Songbooks provided.


2nd Tuesday Song Circle -- BYOS!

2nd Tues. | 7-9 pm

Bring Your Own Song! A monthly opportunity for folks to perform original or cover songs for each other, within a song circle.


Plank Road String Band Practice

2nd Sat. | 2:00-4:00 pm

First Church of Lombard

630-620-0688

An old-time string band practice for intermediate/advanced players. from September to April.


Be sure to check the Plank Road and Two Way Street websites and Facebook pages for details about each event.


President's Message

President's Message

April 2023

BobOHanlon.jpg

Plank Road has emerged from the dreadful Covid era stronger than ever. Here we are in our 38th year, featuring traditional music as our staple. It is remarkable that our membership numbers are larger than ten years ago; our financial position is solid and our activity list is back to pre-Covid levels.

 

After writing a President’s message 4 times a year for 14 years, it’s hard to find new material to write about, so forgive me if I deviate from my usual format, and express some random opinions about folk and country music, and early rock n roll.

 

First, I believe that the Kingston Trio were the driver of the “learn to play guitar” phase of the late 50s/early 60s. Their popularity was unmatched for a short time; they had 19 albums make the Billboard Top 100! Many similar groups followed their example. I am one who took up the guitar, so I could sing their songs.

 

Next, Willie Nelson and Gram Parsons are responsible for taking country/western music out of the “cornfields” (remember Hee Haw?) and made it acceptable to sing that music without being embarrassed. Many others followed their example and a lot of great music was made.

 

Chuck Berry was the most influential rock ‘n’ roll pioneer. He wrote his own songs and established the sound and rhythm of the era. The Beatles started as a Chuck Berry cover band (not literally, but they did all his songs). Elvis was more popular, and charismatic, but he didn’t write songs. Fats Domino brought “rhythm & blues” into the main stream, Buddy Holly was a pioneer, but died too young, Bill Haley had the first rock and roll hit song, “Rock Around the Clock” and Little Richard and Jerry Lee were popular, too. But, I put Chuck at #1.

 

These are obviously my opinions, based loosely on facts, but mostly on personal preference. I know some of you won’t agree with me, but that’s okay. Music lovers are free to disagree. If anyone wants to express their opinion, email me at reohanlon@gmail.com


Bob O'Hanlon 

President

Folk music is alive and well . . .


. . . when Lilli Kuzma hits the airwaves — every Tuesday night!

For those of you who are regular listeners to Lilli Kuzma’s Tuesday evening Folk Festival, you already know. For those of you who may have heard of Lilli, or who have seen her ad below in this newsletter, it’s time to get to know her.


She hosts Folk Festival on WDCB 90.9 FM, from 8 to 11 pm every Tuesday night. And she’s been doing it for 22 years. Lilli brings her love of folk music and other genres to the program with her signature brand of quirky humor and fun — along with insights and information. 

Lilli offers an eclectic mix of folk artists and styles


“We try to cover it all,” says Lilli, “From traditional and contemporary folk, to doses of related and influential styles — including folk-rock, bluegrass, country, blues, Celtic, world, Americana, and more.”

 

And, the show is usually broadcast live, bringing a fresh and direct presence to her listeners. “While I usually host the show live, I do record certain programs and special segments,” says Lilli. “The pandemic required that I record the entire show for a year and a half, which sharpened my recording skills. And I now have a small home studio equipped for this purpose.”

















ABOVE: Lilli Kuzma and Mark Dvorak

in the WDCB studio.


Each week Lilli features unique themes plus topical and historical segments. While her programing was modified during the pandemic, she says things are gradually returning to ‘normal,’ with live studio guests — both Chicago-based and national touring acts — including a number of Plank Road artists. “My event night concerts should resume soon,” she adds.

 

“We frequently offer ticket and CD giveaways,” says Lilli, “And on each show we tell listeners about area and regional concerts, workshops, and events, with the Chicagoland Folk Calendar.”


It's all about the music . . .



In 2001 Lilli started in rotation on Folk Festival with the late George Brown, then became the sole weekly host in 2007. She’s a lifelong Chicagoland resident, a graduate of Loyola University of Chicago, and has a background that includes music performance, artist management, and event production.

“I play guitar, piano and organ,” says Lilli, “And have performed in folk duos and trios, rock bands, and jazz combos.” She’s also an accomplished freelance writer, and her features on music and entertainment topics have been published by the Chicago Sun-Times, Pioneer Press, and Chicago Tribune Media Group.


So, what is WDCB?


WDCB is a a non-commercial, listener-supported station. Here’s what the Chicago Tribune once said about WDCB:



“On the far left side of the radio dial, past the alternative rock of WXRT, is an odd little radio station. It seems hellbent on breaking all the rules, continually providing aural surprises for listeners.''

WDCB was established in 1977, and has evolved since that time to become Chicago's premiere station for jazz and blues. “But folk and roots music, Americana, Celtic, and bluegrass are recognized by the station as an important part of the programming,” says Lilli.


As a result, the Folk Festival show was expanded from its original two hours to a three-hour show by current WDCB manager, Dan Bindert. “He and his staff have been wonderfully supportive of the folk show and its events too," says Lilli.

 

The station is based at College of DuPage in Glen Ellyn. But unlike most college-based stations, WDCB is not student-run. It has a full-time professional staff — with COD students gaining experience working as aides.

Listen to Lilli’s Folk Festival and other WDCB programming, by tuning your radio to 90.9 FM. 


  • WDCB is also available to anyone in the world, streaming live at WDCB.org


  • You can visit their Facebook page and also listen to streaming audio via their website here.


  • If you miss a live show, Folk Festival programs are archived for two weeks following the broadcast, and can be accessed at https://wdcb.org/archive


  • To join the Folk Festival mailing list, or for event and other information, email Lilli at LKupbeat@aol.com.

Great music . . .

and BBQ in KC!


Ashley & Simpson attend Folk Alliance International in Kansas City.


Joel Simpson and Jennifer Ashley experienced amazing folk music, while making contacts with numerous performers and music industry people at the Folk Alliance International Conference in Kansas City — not to mention showcasing their own considerable talents at several showcase events. ABOVE: Jennifer and Joel before their

private showcase in the FARM room.

The conference, held February 21-25, was attended by around 2,000 industry people, artists and associates within the international folk communities. “We primarily attended to listen to the many artists showcasing their talents,” says Joel. “But we were also able to perform at the Folk Alliance Region Midwest private showcase room.”

 

“There were so many great performers it was overwhelming,” says Jennifer. “We also saw many friends like Ordinary Elephant, The Rough & Tumble, and many more. And even found time to talk and sing with local friends like Heather Styka and Joe Jencks.” 

 

The Folk Alliance International is a whirlwind experience . . .


During the day there was an exhibit hall, daytime sessions and panels for business development. “For example,” recalls Jennifer, “We attended the Presenters’ meeting to discuss current topics relevant to venues like the Two Way Street Coffee House.”

 

In the evenings, the official showcases began, with a dozen rooms to watch artists present themselves. Then, each night there were four floors of over 50 private showcase rooms. “These rooms featured performers all night until 3:00 AM,” says Jennifer.

Ah, but then there’s that KC barbecue . . .


“Kansas City is pretty serious about their barbecue,” says Jennifer. “And if any of you have seen Joel eat, you know BBQ is not something he takes lightly.”

 

“Being in Kansas City presented the perfect opportunity to conduct some proper research by visiting six legendary restaurants,” says Joel. “Including RJ’s Bob-be-que, Arthur Bryant’s, Gate’s, Q39, the Woodyard and Slap’s.”

 

“Each one, having specialties that stood out, was delicious,” says Jennifer. “After much deliberation and boisterous debate, we concluded the overall best was Q39.” 

 

Jennifer added that while they would recommend any and all of the restaurants, “We do NOT recommend eating barbecue six days in a row.”

Creative covers

Arranging and performing other people’s songs.

Some of us write our own songs, but all of us do songs written by others. Here are a few ways to make your version of other people’s songs feel like your own.

 

Do songs you love. This seems obvious. Doing a cover of a song only because it’s popular, but doesn’t exactly light your fire, can be a waste of time. Stick with songs you love — songs that energize you, and make you feel good whenever you do them.

 

Pick songs you want to learn from. Work on covers as an opportunity to deepen your musical knowledge. What is that great chord change that sends a little shiver through you? Where do the rhymes fall? How does the melody of the chorus or bridge contrast with the verse?

 

Make it your own style. Don’t feel you have to play it like the record. Trying to recreate the sound of a classic track can be fun and educational, but also discouraging if you don’t get it quite right. Instead, make it your own.


Experiment with the tempo and the arrangement. Maybe it’s an up-tempo song that could become “your own” by slowing it down or making it more “bluesy.” Change the key to suit your voice. Find a fresh approach with a different capo position, or different tuning or picking style.

 

Get close to it, then get away from it. When you’re initially working on a cover, you probably try to figure out as many details of the original as you can, so you start to feel comfortable with it. But then put aside the original track and let your version evolve in your own hands and voice. Let it take on your own style.

 

A straight-up cover of a song that everyone, including you, has heard a hundred times just isn’t as much fun as a cover that truly feels like your own!

 

The article includes excerpts from the March/April 2023 issue of Acoustic Guitar magazine.

Local Venues

Two Way Street Coffee House — Friday Night Concert Series.

Doors open at 7:30pm and concerts start at 8pm. You can also view concerts online — more information on Two Way Street Coffee House or Facebook.


Maple Street Concerts.

Live concerts have returned to Maple Street Chapel in downtown Lombard. Concerts are subject to CDC guidelines. Please check the Maple Street website for concert listings.


Other venues . . .

- Acoustic Renaissance Concerts

- Old Town School Of Folk Music

- Tobias Music Concerts

- Friends of Lisle Library Concerts


Some venues have live concerts — check their websites to confirm.

Now Streaming!


Down the Old Plank Road - Volume 3, can be heard free of charge on most streaming sites! Listen to music by Mark Dvorak, George Mattson Trio, Ashley & Simpson, and the Plank Road String Band, plus tunes by other Plank Road members.


Just look for Down the Old Plank Road Volume 3. (Be sure to enter the complete title.)


* Apple Music * iTunes * Spotify

* Pandora * Amazon Music

* YouTube Music * Bandcamp

* And many others!


In the pantheon of Chicago’s greatest Top 40 and Rock DJs, who were the greatest?

 

This writer believes it was a triumvirate of three: Dick Biondi, Larry Lujack, and the late, great Lin Brehmer.

 

By Bill Lemos

Biondi

I grew up with all three of those disc jockeys, including Dick Biondi at night in South Dakota when I was a teenager. When the atmospheric conditions were right, Chicago’s WLS radio waves spread across much of the Midwest.


Many years later my wife and I met Biondi in a shopping mall while he was doing a promotion. He was in his 80s then, and a real gentleman — even signing a record album cover for us!

Biondi is still around — he’s 90 years old — and one of the original Top 40 “screamers,” known for his delivery and wild antics on the air and off. In a 1988 interview, Biondi said he had been fired 23 times, from both fits of temper and jokes gone wrong. He worked at a number of radio stations, but first earned his reputation at WLS-AM in Chicago. He was the first American DJ to play the Beatles.

Then there was Larry Lujack — known for his gravelly voice, sometimes surly disposition and world-weary sarcastic style. His radio persona paved the way for shock jocks like Howard Stern. Lujack’s style, which also included strategic pauses, audible paper-shuffling and references to himself in the third person, shaped (unfortunately) the style of Rush Limbaugh, who once said Lujack was “the only person I ever copied.”

 

Lujack spent over 20 years at Chicago stations, including WLS and WCFL. Known on the air as Uncle Lar and Superjock, his popular routines included Klunk Letter of the Day, Cheap Trashy Show Biz Report, and the darkly humorous Animal Stories with sidekick “Little” Tommy Edwards.



Before Lujack hit the Chicago airwaves in 1967, Top 40 DJs were known for rapid-fire patter, velvet sonorities and inexhaustible cheer. Lujack was laconic, sandpapery and curmudgeonly — and, to judge from the one million listeners he gained at his height, delightfully so. He died in 2013.

Lin

January was a particularly bad month for musicians. The toll included disc jockey Lin Brehmer, and while he was not known as a musician, he knew music — from folk and blues to hard rock. As far as I know, he was the only DJ in Chicago who played John Prine, and other alternative “folkie” artists on a rock station.

Brehmer died January 22 following a battle with prostate cancer. He was 68. He worked at WXRT for more than three decades. He loved the Cubs, music, theater and food scenes and touched many Chicagoans, though most never met him. My son worked with him as an ‘XRT intern, and I was fortunate to meet him briefly (at a bar of course).

 

His colleague Terri Hemmert posted a statement saying “It is with a heavy heart that we must inform you that we all lost our best friend.”

 

“He was everybody’s best friend because he wasn’t an announcer,” recalled WGN’s Bob Sirott. “He was a real person on the air. Easy to relate to as he talked to tens of thousands of listeners, one at a time.” In person he was the same as what we heard on the radio.

 

Every day, at some point in his broadcast, you’d hear him say, “I’m Lin Brehmer, your best friend in the whole world. It’s great to be alive!” 

Music Trivia 

Andy's Music Trivia Quiz


Thanks for your responses. Good catch on the year in Question 2, and good answers, Bill Mathews and Fred Spanuello. IF you have any trivia to contribute, please do!  


Answers to previous Quiz:


Q1.  What Beatles record was a two-sided hit featuring essentially solos on both sides?

A1.   A-side = “Yesterday” & B-side = “Act Naturally.”


Q2.  Who was killed in a 1960 plane crash near Kansas City.

A2.  Wrong year in question as noted by 2 respondents.  On 05 March 1963, country stars, Patsy Cline, Hawkshaw Hawkins & Cowboy Copas, (and the pilot) crashed near Camden TN, enroute from Kansas City to Nashville.


Q3.  What was Glen Campbell's first charting song?

A3.  Here’s one I thought I knew (would have gotten wrong). I thought it was "Kentucky Means Paradise,” but it was "Turn Around Look at Me" in which he shows off his great singing range. 


Q4.  Who was Motown's first solo artist charting star?

A4.  Mary Wells wrote and sang her first song for Motown records at the age of 17 in 1960. Under the direction of Barry Gordy and Smokey Robinson, she had a string of hits climaxing with "My Guy" in 1964.

Q5.  Since we are in the Chicago area, who are the DJ's pictured on the album WLS Treasure Tunes from the Vault?  What label was it on?

A5.  Left to Right – Gene Taylor, Art Roberts, Mort Crowley, Jim Dunbar, Dick Biondi, Clark Weber & Bob Hale. Chicago based Chess Records. 

NEW Trivia Quiz:


Q1.  Jim Reeves died in a self-piloted airplane crash at the age of 40. What was his first #1 Country/Western hit? How many charting hits did he have after his death?


Q2.  What song has been playing constantly somewhere in the world since 1983?


Q3.  Name 2 of Eddie Rabbit's biggest hits!


Q4.  The Tokens took "The Lion Sleeps Tonight" to #1 in 1961. What was their 1st top 20 tune, and what genre was it?


Q5.  On what Beatles song, do they repeatedly chant "That's What I Want"?  Who sang the original?


Q6.  Who wrote Brenda Lee's "All Alone Am I"?  What song was the writer most famous for?


Q7.  Who was the banjo player on the Kingston Trio's first members?


Q8.  Who wrote Sam Cooke's "Wonderful World"?


Keep those responses coming in:

pictq@yahoo.com

With a little help from our friends . . . 

George Mattson Trio

gmtrio.com 

Mark Dvorak

markdvorak.com 

Tobias Music

www.tobiasmusic.com 

Cathy Jones

cbjmando@gmail.com

Remembering . . .

This past January was a bad month for celebrity deaths . . .

Crosby

David Crosby


Co-founder of The Byrds and Crosby, Still & Nash, David Crosby died January 19. He was 81. 

 

Born in Los Angeles, Crosby honed his musical skills at coffeehouses, clubs and colleges as a teen. “I took a job washing dishes and bussing tables in the coffeehouse so I could be there,” he recalled. “And would beg permission to sing harmony with the guy who was singing on stage.”

 

By the early ’60s, he was drifting from city to city, performing and learning from other musicians, when he crossed paths with folk singer Roger McGuinn. The two began collaborating, electronically amplifying folk music to create a style that would eventually be defined as folk-rock.

 

They joined up with Gene Clark, Chris Hillman and Michael Clarke to form The Byrds, famous for its influential sound. The band’s first single, a cover of Bob Dylan’s "Mr. Tambourine Man," shot into the top 10 in 1965, sparking a creative momentum that generated hits such as "Eight Miles High," Bob Dylan’s "All I Really Want To Do" and Pete Seeger’s "Turn! Turn! Turn!" 

 

Although known for harmonies, The Byrds suffered from discord. Crosby had an unwelcome habit of interrupting live performances with political rants, and the rest of the band ousted him in 1968.

 

After parting ways with The Byrds, Crosby began jamming with Stephen Stills of Buffalo Springfield. Graham Nash of the Hollies finished out the supergroup that took the name Crosby, Stills & Nash. Their 1969 self-titled debut album catapulted the group to a best new artist Grammy.

 

The trio became Crosby, Stills, Nash & Young when Neil Young joined the group. CSNY claimed its place in music history with its performance at Woodstock. In 1970, their songs "Ohio" (a protest song about the Kent State shootings) and "Teach Your Children" demonstrated their anti-war activism.

 

In recent years, Crosby publicly feuded with his CSNY bandmates, especially Nash, for reasons he would never disclose. His stellar career was often matched by a chaotic personal life. Throughout the ’80s and ’90s, Crosby experienced drug addiction, weapons offenses and prison time. Oh yes, and he famously served as a sperm donor to Melissa Etheridge.

Barrett

Barrett Strong


One of Motown’s founding artists and gifted songwriters, Barrett Strong, who sang lead (and claimed to have co-written) “Money (That’s What I Want),” died on January 29 at the age of 89. “Money” was a million-seller in 1960, and Motown’s first major hit. Strong was a singer, piano player, and songwriter, collaborating with Norman Whitfield on such classics as “I Heard It Through the Grapevine, “War,” “Papa Was a Rolling Stone,” and many others.

Guitar

Gary Rossington



Guitarist, and last surviving original member and co-founder of Lynyrd Skynyrd, Gary Rossington, died March 5 at age 71. He survived the infamous 1977 plane crash that killed three band members.

 

The band created country-tinged blues-rock and southern soul. Their biggest hit was “Sweet Home Alabama,” which was written in response to Neil Young’s 1970 song “Southern Man.” Skynyrd’s 1973 debut album included “Free Bird," a nearly 10-minute track that became their calling card, due in no small part to Rossington’s seagull-like slide guitar leads on his Gibson SG.

Jeff Beck


Legendary blues-rock guitarist Jeff Beck died January 10 at age 78. Beck rose to fame in the ’60s when he replaced Eric Clapton in the Yardbirds. He left a year later to start his own group, The Jeff Beck Group, featuring Rod Stewart and Ron Wood.

 

He was inducted into the Rock and Roll Hall of Fame in 1992 as part of the Yardbirds and inducted again in 2009 as a solo artist.

 

An eight-time Grammy winner, Beck earned his first in 1985 for best rock instrumental performance. He went on to win five more times in that category.

 

Beck became attracted to electric guitar after hearing Les Paul’s work. Led Zeppelin’s Jimmy Page said Beck’s guitar could “weave around our mortal emotions… channel music from the ethereal” with his unique technique.

 

Born in Surrey, England, Beck’s mother wanted him to play the piano, but Beck took to the guitar. Eventually, he bonded with another boy who was a budding guitarist in his neighborhood, Jimmy Page. The two musicians shared a passion for rockabilly music. 

 

Beck had an interest in Motown and sat in on some of Stevie Wonder’s sessions. At one point Beck started playing the drums and Wonder walked in, liked the groove and wrote “Superstition” around it. By the mid-1970s Beck had moved on from blues rock to instrumental jazz-fusion. He spent much of the 1980s working as a guest musician, adding solos to albums by Tina Turner, Mick Jagger, Jon Bon Jovi and others.

 

He is considered one of the most skilled, admired and influential guitarists in rock history.


Lisa

Lisa Marie Presley



The only child of Elvis Presley, Lisa Marie Presley, died suddenly of apparent cardiac arrest January 12, at the age of 54. She grew up in the shadow of her father's fame – her name even adorning his airplane.

 

Although famous from the moment she was born and a singer in her own right, releasing three albums, she leaped into the pop culture vortex with her surprise marriage to embattled pop superstar Michael Jackson and, later, Elvis aficionado and actor Nicolas Cage. Both those marriages were short-lived, although she had four children through more lasting unions. 

 

Her son, Benjamin Keough, died by suicide in 2020. She said her life and the lives of her three daughters “were completely destroyed by his death.” She also blamed her troubled life on “bad advice,” adding, “I was insulated with no grip on reality. They were taking my soul, my money, my everything." Her troubled life included drug addiction. In 2019 she detailed her dependence on opioids, suggesting the damage was both personal and professional. 

Burt

Burt Bacharach

One of the most prominent composers in the 1960s and ‘70s, Burt Bacharach died February 8. He was 94. Remembered for Top 10 hits such as Dionne Warwick’s “I Say a Little Prayer” and “Do You Know the Way to San Jose,” Bacharach was also a Broadway composer, and wrote movie scores. He teamed up with lyricist Hal David, creating some of his biggest hits — recorded by Tom Jones, Frank Sinatra, The Beatles, Barbara Streisand, Aretha Franklin and more. Over his career, Bacharach won eight Grammys and three Oscars.

Drummer

Robbie Bachman


Canadian drummer, Robbie Bachman, died January 12. He was 69. His brother Randy, formerly with The Guess Who, along with another brother Tim and bassist Fred Turner, renamed itself Bachman-Turner Overdrive. The band found widespread success with songs such as “Takin’ Care Of Business,” “You Ain’t Seen Nothin’ Yet,” and “Roll On Down The Highway.”

Did you know . . .?

This is a series of brief stories about popular songs and artists that you may find fascinating . . . or perhaps merely interesting. Watch for more in future issues. 

Maria

Maria Muldaur tells it like it is


“ ‘Cause I'm a woman… W-O-M-A-N…

I'll say it again . . .”


Maria Muldaur (formerly Maria D’Amoto) had a hit with the sultry song, “I’m a Woman” in 1975 when she was with the Jim Kweskin Jug Band. Her whimsically seductive style was particularly well showcased in the song, which she described as “a positive statement of feminine self-reliance.” 

 

Peggy Lee had the first hit with “I’m A Woman” in 1963, but Maria’s version easily outsold it.

 

An interesting side note:

The witty lyrics perfectly express a female point of view, yet the song was actually written by two men — Jerry Leiber and Mike Stoller — the legendary composers of rock and R&B classics such as “Hound Dog,” “Yakey Yak,” “Stand By Me,” ‘Kansas City,” “Save the Last Dance for Me,” and the Kingston Trio classic “The Reverend Mr. Black.”

A Special Thanks to our Membership Contributors!!


Sustaining Members

  • John J. Allan
  • Betsy Anderson
  • Carol & Fred Spanuello


Supporting Members ($50 - $199)

  • Dan Anderson
  • Bill & Mary Boylan
  • Bob Cordova
  • Lora Ilhardt
  • Tony & Ann Janacek
  • Paul Klonowski
  • Ken & Pat Lagerstrom
  • Dottie & Gerry Lee
  • Bill & Connie Lemos
  • Andrew Malkewicz
  • Chuck & Susan Maltese
  • Bill & Sandhya Matthews
  • George Mattson
  • Gregg & Betty Ann Morton
  • Bud & Mary Jane O'Connor
  • Bob & Mimi O'Hanlon
  • Rich Pawela
  • Jim Scalone
  • Joe & Pam Schumacher
  • Anonymous
  • Tobias Music
  • James Videbeck


New & Returning Members

  • Jim Chesney
  • Bethany DeHaan
  • Ted Hogan
  • Sarah Kierstead
  • Joseph Michelotti
  • Wayne Oestreicher
  • Gary Rotramel


If you would like to become a member or just need to renew, here is a link to the renewal form that you can print and mail.

2022 PRFMS Officers

Bob O'Hanlon - President

reohanlon@gmail.com

(630) 702-0150


Bill Lemos - VP, Secretary

lemos.bill@comcast.net


Connie Lawlor - Treasurer


2023 Board Members


  • Dave Humphreys
  • Kristen Fuller
  • Jennifer Shilt
  • Jim Gilroy
  • Dottie Lee - Technical Support
QuarterNotes Contributors

Bill Lemos - Editor

Dottie Lee - Tech Support

Bob O'Hanlon

Andy Malkewicz

Lilli Kuzma

Jennifer Ashley

Joel Simpson

Please visit us at

Plank Road Folk Music Society


Questions? Please send us an email at:

plankroadfolk@hotmail.com